The Upside to Procrastination

HAIKU:

PROcrastination.

As the dishes pile up.

I make a cheesecake. 

This weekend Joey worked on Saturday, so I was bored and sad. At first, I was motivated and said, okay, that's fine, I'll do the dishes. Then I looked at the dishes and immediately decided I had much better things to do. This was Friday night. I was in good spirits and had the best intentions but then I got bummed out because it was Friday and he wasn't coming home, so instead of doing the dishes and cleaning up the destroyed (I mean, put off for days) kitchen, I would write a song. I sat at the counter, facing the mocking dishes, and instead penned and strummed out a song that actually made me fairly proud. So that was a Friday well spent, I'd say, even if my kitchen was a disaster. The first lesson in procrastination..sometimes, putting off doing the dirty work allows you to create something new.

On Saturday, I thought about cleaning up the kitchen again but just wasn't in a cleaning shit up mood. I figured, since Joey's ETA wasn't until after 6, I would make my leap into cheesecakery. I finished up the song I wrote the night before and played around with it a bit, but then I started to bake, regardless of the state of my kitchen, which is something I'm not usually inclined to do. I usually prefer to have it cleaned up if I am doing any kind of fun baking and added mess making. I have never made a cheesecake from scratch before, but my mother had given me a 9" Wolfgang Puck springform pan as a gift this Christmas, because I had said about wanting to make one. So I finally got around to trying it out. This baby was from scratch. I mean, not from a box, but an honest to goodness cream cheese heavy whipping cream concoction of a for real cheesecake. My first!

I found a recipe on the internet. It is allegedly The Perfect Cheesecake, a twist on another woman's recipe posted by another woman. I didn't even look in my books and for some reason just searched the net and went with this one. It's a New York Style cheese cake, that actually required a water bath and everything and had a few steps. Leave it to me to go with a harder one, because I don't believe they all require a fancy pants bath and foil wrap? I also found out that our oven is incredibly uneven and needs leveled before I make my next cheesecake or a cake of any type for that matter. So, it's a little lopsided, but that doesn't affect the taste at all. It's still a beautiful thing.

This cheesecake actually called for a sour cream based topping spread on it, and then an optional fruit (raspberry) topping drizzled over it. I was at my mother's last week when she had been picking rhubarb out of their garden so I got some off of her to try out. Surely I should be able to make a fruit concoction for cheesecake from it? So I tried it out. My rhubarb topping wasn't exactly drizzlable, so I just spread it over top of the sour cream topping layer after I chilled that a bit. It worked. It ended up tasting quite sweet and yummy; rhubarb and cheesecake actually go together well.

The cake, as a whole, was a success. The butter in the crust was perhaps a bit much, or the salt wasn't stirred into the crumbs enough, perhaps, and I would let the cream cheese come a little more to room temperature next time, but I'm still mmmmmcredibly pleased with the end result. We ate a bunch and gave a bunch away. The second lesson in procrastination...sometimes putting off the dirty work is pretty tasty! It's all about priorities. A dirty house doesn't need to be the end of your endeavors; you aren't putting things off if you are still doing something worthwhile. I got a song and a cheesecake out of the deal. There are so many better things to be doing than dishes!! So there. My first cheesecake, a rhubarb New York Style one, even. Delicious.

SOURCES: Perfect Cheesecake Recipe

http://www.simplyrecipes.com/recipes/perfect_cheesecake/

The Paragon Ragtime Orchestra at The Rowland Theatre

The Paragon Ragtime Orchestra Presents:

THE CLOWN PRINCES

Saturday, May 14th, 7PM

Rowland Theatre, Philipsburg

Saturday, May 14^th I had the honor of going to our locally treasured Rowland Theatre in Philipsburg to see The Paragon Ragtime Orchestra conducted by Rick Benjamin that did a show there to a mix of silent films, entitled The Clown Princes. The performance included films by Charlie Chaplin, Buster Keaton and Harold Lloyd as well as a selection of American theatre orchestra favorites. The show cost $20 and was filled decently well with fans of all ages, including some fun ladies in their flapper garb, feathers and pearls who really got into it. I went with my mother and my Aunt Peggy. It was a really good time!

Something about me…I have had a Buster Keaton thing since college. I love Charlie Chaplin, also; who doesn’t love the Little Tramp? But I, for some reason, was incredibly drawn to the Great Stone Face and his contribution to the silent film era so this was an exciting event. Silent films are pretty interesting. The acting had to be big enough to get the ideas and gags across with absolutely no sound, while also being entertaining and filmed from the best angles. It relied heavily on slapstick and stunts, most of which were done by the actors themselves who were, in many cases, directing the films as well. These guys were hard core. They were pioneers in filmmaking, our forefathers of visual comedy, acting and directing. It was such a cool experience to see these silent films on the big screen with live music from a real ragtime orchestra like it would have been at the time of their production. We were actually encouraged to hiss and boo at the bad guys, and ooh and ahh for the good guys.

The first selection was the 1922 film Cops starring Buster Keaton, directed by Keaton and Eddie Cline. Afterward, the band played an orchestral interlude for reel change music, as would have been traditional back in the day. Rick Benjamin, the conductor, spoke some about music history, and how most of the films were made around the year that the Rowland opened, in 1917, and also how rare music would have been back then. He spoke of today and how music has become a kind of “sonic wallpaper” as he called it, as in it’s everywhere in the background. He said he thinks that it actually devalues the music.

In the silent film era musicians, writers and publishers were all in high demand to create the musical scores for movies. People didn’t have access to music like they do now and they would only be able to hear music if a family member or a friend played an instrument, or if they were able to catch a live performance. It makes you think and it’s really true. Music has been devalued because it is so ubiquitous now. It’s everywhere from elevators, waiting rooms, cars, stores and commercials. He’s right, it IS sonic wallpaper! So much so that people probably don’t even realize a lot of the time that it is there sticking to the wall. In the silent film era, however, the music stood out and was more important because it wasn’t as prevalent. It was a luxury!

The second photoplay was the 1920 film Get Out and Get Under starring Harold Lloyd, who was a boxer turned actor. This film was directed by truck driver turned director, Hal Roach. Loyd’s “Glass” character was more like the common man. People loved Buster’s “Stoneface” and Charlie’s “Tramp” because they were goofy and different, Benjamin said, but they loved Harold Loyd because he reminded them of themselves. I wasn’t as familiar with Lloyd as the other two clown princes, so it was really neat to see this film.

After intermission we were treated to a selection of American theatre orchestra favorites, including 1921’s I’m Just Wild About Harry, 1904’s The Cascades, and W.C. Handy’s 1915 blues number The Hesitation Blues. The third photoplay section was 1916’s Easy Street starring and directed by Charles Chaplin! It’s amazing to think this film came out just one year before the Rowland opened its doors in 1917. The music to this film could actually not be found so the entire score for this one was reconstructed by Rick Benjamin based on musical settings of the time.

This was a very entertaining show. Benjamin asked the crowd if we would each bring “two and a half” people with us if they returned. We cheered that we would, of course. It was a great time; highly entertaining watching Joseph Ellis do the drums and sound effects along with the film. They pulled out all the bells and whistles, literally. Quacky noises for people talking or giving speeches, sobbing noises for when people cried. With just 11 members, The Paragon Ragtime Orchestra sounds pretty boomin’! I highly recommend it!

Also, interestingly, it is the eve of the Rowland Theatre’s centennial. The Rowland was opened on June 4^th, 1917 by Charles Hedding Rowland and its very first offering was a silent film entitled “Within the Law”. Currently, the Rowland Theatre’s Board of Director’s is in the process of collecting funds to restore the marquee to the original glass structure that appeared in 1917. The original marquee apparently extended over the roadway about two feet. In conjunction, they will be designing a plaza in front of the theatre to protect the new structure that will be made of bricks, extending the sidewalk. People can order a personalized brick for $100 each. The Rowland Theatre is on the National Register of Historic Places and really is a local treasure. I look forward to seeing the finished marquee in 2017 and supporting them in the future as they continue to bring entertainment to the Moshannon Valley area, just like this showing of The Paragon Ragtime Orchestra’s The Clown Princes!